exist

1-28-2011

As i was driving home south on Laflin St. and came to the viaduct on 15th St. I noticed that there was some construction on my right side(a truck blocking that side and some workers), so I drove on the left side of the viaduct which has the traffic coming the opposite way. As i was passing the viaduct i saw a cop car on the left side waiting to go north on that side. I became nervous but kept driving south and then moved to the right lane past the cops on 16th St.

They did a u-turn and flashed the lights so i moved the car to the far right and stopped. This burly latino cop driver came out and walked towards my car. At that same moment I noticed his partner was also opening his door and slowly was also about to walk towards my car. Now I started to think of what to say and also I do not have a license nor car insurance, so i was thinking about the future consequences of me in jail, etc...(I am also a burly and a tall mexican with a shaved head and could be mistaken for a gangbanger driving an old Ford Crown Victoria...?)

I lowered my window as the latino cop came over. I said "Hello, sir."
and he asked "Why where you driving on the opposite side over there?"

I answered, "There was road construction."
He then said, "Good excuse." and made a gesture to continue on my way.

installing at Cobalt Studio

I installed my latest photographs at Cobalt Studio in Chicago's Pilsen neighborhood tonight and hung out for a bit with Antonio and Adriana who run the space. You can check out my 2 photographs and more info on my ongoing project here: http://recycle-ideas.blogspot.com/


Below is info on the show:

Artifice//Artifact- Every Photo tells a Story

Sarah Best, Ira S. Murfin, Ernesto De Anda, Miguel Cortez, Linda Prieto, Rosy 'Campanita Torres, Thelma Uranga, Antonio Martinez, Leonel Hernandez, Anthony Marcos Rea, Jackie Orozco, Marisa Moy, Adriana Baltazar

Every Photo Tells a Story

Inquiry into artifacts and photography as a medium to represent facts or to construct them frame the theme of this exhibit. Pulling from various interests and backgrounds, each artist will present a freshly made narrative.The subject of these narratives vary according to each artist's directive.

Opening Friday, January 14, 2011 from 6:00pm - 10:00pm

Cobalt Studio

1950 W. 21st St
Chicago, IL 60608
http://cobaltartstudio.blogspot.com/

strange lucid dream january 12, 2011

last night I dreamt I was living in this house that was on the edge of a mountain and at certain intervals 1/2 part of the house separated and would float down with wires and across to another mountain and attach to another building. I was with several other people and we opened a door to go into the next building and that housed several medieval sculptures and corridors.

The sculptures started moving and throwing rocks and objects at us so we started running and climbed up some stairs and onto the roof. There we saw that there was a river between the 2 mountains and we were trying to figure out how to cross back to the other side. Upon waiting a few minutes we noticed the river would drain and then fill back up. So we ran across during one of these intervals and on the bottom side on the adjacent mountain there was an entire array of mostly commercial stores inside the mountain. We ran into one of the stores and the manager kept telling us to climb up the mountain because the river will fill back up.

We looked for stairways or ladders but could not find any. This other person came into the store and told us we would be safe if we followed him underground and he walked us to a spot which was now a cave and pointed at this area that resembled quicksand. He jumped in first and several of my friends followed but I decided not to and instead went outside to look for another way. I woke up and it was 4:57am.

predictions 2011

1. Nick Black will get a show at the MCA.
2. Obama will open the borders and announce massive immigration initiatives.
3. Android is going to take over your phones other than Apple.
4. More apartment galleries will open and close.
5. Alaska residents will tell Sarah Palin to fuck off.
6. GW Bush will not write any more books(or at least his ghost writers).
7. No one cares about Microsoft anymore. Linux is going to take over the spot. Russia will be the beginning.
8. People will finally realize Disney was founded by a Nazi  and will instead go to Epcot Center.
9. People will learn more Chinese. TV show Firefly predicted it.
10. People will stop posting dumb videos on youtube.

Cellphone photos

Summer 2010
Cellphone photos printed on vinyl
2010

Google finishes my sentences.

Google finishes my sentences.
Digital print on vinyl
2010

Boomerang

One of my paintings was used in the current book of poetry by Brenda Cardenas called "Boomerang". You can check out the Bilingual Review/Press web site for more info on the book. Here's the original jpeg from my web site: http://mcortez.com/2007/micro03.jpg

thinking back

I remember so clearly summer 1984 when one of my sisters married. On our way home from the reception in my parent's car this song was playing.

Jesus appeared on my wrist X-rays

Jesus appeared on my wrist X-rays
Digital print, dimensions variable
2009

Structural Persuasions of Beauty

Structural Persuasions of Beauty: The paintings of Miguel Cortez
by Leticia Cortez

How can one begin to describe them? As one starts to see them visually; the elements he uses, consisting of thick acrylic layers, oils, plaster smoldered with kitsch, biodegradable paper, vintage photographs and found objects, begin to take shape as they are studied, seen, and absorbed. The presence or hints of images of fishes, nudes, self-portraits are executed on a background palette of rich, earthy sanguine colors ranging from burnt siennas, dark crimsons through violets and exquisite browns.

“Premonition 5” features among his first abstract landscapes with figurative nudes. In this painting, the artist seems intrigued with the dynamics associated with the futurist movement .The analytical thought process in which music is used as a source to make apparent a physical and aesthetic manifestation. Musical harmony is thus found in “Premonition 5”. The rhythmic pattern of ink and oil washes is a technique Miguel manages to define as his artistic trademark. The washes in this painting allude to a certain space, unsure if it’s the foreground or the background. A nude female figure is positioned off center among textured rock-like formations, a geological landscape made from acrylic layers and gesso. This is what first captures the viewer’s eyes. As the interior space emerges through these rock formations other forms and shapes slowly transform themselves. A light bulb and horn emerge. The space filled with red, magenta and orange colors foretelling other shapes and forms to be transformed.

Elements of frottage, interior/exterior spaces, undefined shapes, nudes and textured landscapes become a premonition of what is to come in the artistic terrain. A premonition of what is evolving in the artistic development of Miguel Cortez’s private visions. He has been influenced by artists such as: Julio Galan, Alfredo Castañeda and Marcel Duchamp. He feels these artists mastered their own distinct technique though appropriating kitsch objects into their own language, thus transforming them and making each object an independent act in order to portray parts of the artist’s internal worlds.

Miguel’s other works titled: “Cycle,” “Windows,” “Suicide of a Chair,” and “The Birth of Lilith” completed in 1993-1994 show this influence in which he also adopts new techniques or ways to convey his patterns of thought. His creation of abstract landscapes fuses new elements as his palette widens, adding certain realities as other environments start to take shape, coming as splashes of recognition of familiar items in the canvass. Through his use of color images appear as in dreams. I have tried to translate into words, sentences what I experience viewing his work. In the midst of the inherent splendor of his strokes here, color there, everything comes alive, triggering all it encounters; the new, the imaginary into a fusion of hypnotic textures.

How’s your identity?

How’s your identity?
digital print documenting an online web project
2009

Identity theft occurs all the time. People's credit cards/bank account info gets stolen through the internet as web scams or malware directly from one's computer. Other times people impersonate celebrities on social networks. Is this also part of identity theft or a form of flattery for the celebrity? As a test I opened an account in Facebook as the Pilsen Alderman Danny Solis. This web project lasted 2 1/2 weeks before Facebook deleted the account. Below is a high-res PDF of the entire print and includes the most interesting responses to fake Danny's posts.

http://mcortez.com/2009/D-layout.pdf

Imagining the Tenth Dimension

Thirsty

RUSE at Ben Russell Gallery

by: Corinna Kirsch

Walking along Morgan Street in East Pilsen, it’s difficult to tell which brownstone might house an art space, but for the opening of RUSE, the second exhibition at Ben Russell Gallery, the eponymous Ben Russell made it easy—sitting on a plastic lawn chair outside his front door, he welcomed visitors while over the course of the evening, his arms held a rotating cast of objects: a dog, a beer, even fireworks.

Russell, an already established filmmaker and curator, alongside co-curator Brandon Alvendia, began putting the front two rooms of his apartment and environs to use as an exhibition space this past May. The premise of each show is predicated upon a set of limitations that includes the following: one artist must produce a wall-mounted work that fills at least three quarters of the 13 x 10 ft. wall of the main exhibition space and another must make a 15-30 minute long performance. The sermon-like list of commandments goes on, but the project of Ben Russell Gallery is meta: it’s an apartment gallery, but also a curatorial project that makes transparent the boundaries of putting on exhibitions in an apartment. Why not turn a backyard into a sculpture garden, use the alleyway as a performance space, and a closet—okay, maybe it’s a tiny, windowless bedroom—into a screening room instead of disguising its existence?

In the larger of the two indoor rooms, Miguel Cortez’s surveillance project “Quien te esta mirando?” consisted of a closed-circuit camera that transmitted its video to a website, http://www.mcortez.com/webcam.html . I accessed the website, but it wasn’t showing a live-feed at the time—maybe this was part of the ruse? Propped up against the wall across from Cortez’s installation was Kelly Kaczynski’s wooden maquette of a stage, See It Always Falls Around (The Sky). The stage’s diminished scale and vertical format severed it from any functional ties and instead showed the structure’s quasi-Minimalist, gridded underside. These motifs, of surveillance and multiple points of view, continued into the screening room playing Paul Chan’s Re: The_Operation (2002) from his Tin Drum Trilogy. Bruised and wounded cartoon heads of military officials from the Bush-era introduced a montage of footage and audio culled from a variety of sources, mashing up fiction, reality, and half-truths into an endless video loop.

After the sun set, Roxanne Hopper and Julie Rudder began their alleyway performance, No One Alive Today Will Ever See This Again. The performance included a moonlight sonata that left a usually talkative crowd quiet, with the whisper-tone hush of the words Ohhhh! Beautiful! Romantic! as the audience’s epilogue that closed the evening. Perhaps RUSE was a misnomer—there was no deceit, just a humorous, playful, and candid approach to the rules of art and exhibition as a game.

Ben Russell Gallery is located at 1716 S Morgan #2F.

Original post from Art Talk Chicago: http://www.chicagonow.com/blogs/art-talk-chicago/2009/07/the-weekend-in-review-73-75.html

one f my fav songs

Wisconsin

I am in a show at Walker Arts Center in Wisconsin in March.

snowstorm this morning

I'm heading to Miami Dec 4th!

Antena @ Bridge Art Fair Miami Beach
December 4-7, 2008

BRIDGE MIAMI BEACH
Following its enormous critical and commercial successes in 2006 and 2007, Bridge is pleased to announce our third installment in Miami Beach. Held at both the Catalina and Maxine Hotels, Bridge Miami leads the South Beach satellite art market, located a mere two blocks from Art Basel. Visitors can browse nearly 80 rooms of the freshest and most innovative works in international emerging and contemporary art.

Arguably the largest convergence of contemporary art and design takes place during Art Basel Miami in this annual, star-studded, citywide celebration of new art internationalism. Consistently a muscular destination market, Miami shows absolutely no signs of stopping, and continues to astound as far and beyond the top-performing art-fair circuit in the United States.

The Catalina and Maxine Hotels
1732 Collins Avenue
Miami, Florida
GOOGLE MAP

ANTENA
Room #201

Artists exhibiting with Antena:
Edra Soto
Gisela Insuaste
Gretel Garcia
Huong Ngo
Jaime Mendoza
Jesus Oviedo
Miguel Cortez
Paola Cabal
Saul Aguirre

See full schedule HERE

Promt article

Sabina Ott wrote a great article on several artists in Chicago, yours truly included, in the current issue of PROMT Magazine. You can download the article HERE. It's a 1.7MB PDF.